Selected Poems
“Why is Grief Always” / Iron Horse Literary Review
"The Moose" and "To Be Made of Hunger" / Clackamas Literary Review
“Bleeding Mycena (M. haematopus)” / Passengers Journal
“Everything Was Ugly and Nothing Healed,” “Falling Water, But Not a House,” “Half Full is Still Too Much,” and “The Thing,” / Sierra Nevada Review
"To the Owner of the Gray Volkswagen" / Coastal Shelf
“Landscape with Mother and Police” / Chestnut Review
“Tinnitus as a Form of Pareidolia” / CAROUSEL
“When a kid falls in the mosh pit, you pick them up” / Tinderbox Poetry Journal
“My Mania as an Alaskan Summer” / Breakwater Review
“Fireflies” and "Pareidolia" / Jabberwock Review
“Pareidolia as a Form of Contact (LGM-1)” / Cincinnati Review
“When I Say I Miss the Drugs” / CutBank
“Milky Way" and "Pareidolia as a Form of Epistemological Pragmatism” / Grist
“Aphelion” / The Colorado Review
“A Bed Too Much A Barren" and "An Incomprehensive List of Things We Are” / F(r)iction
“Schizophrenia as a Form of Asterism” / The Pinch
“Becoming a Lepidopterist” / Concīs
“The Collective Nouns of Inanimate Objects” / Mid-American Review
"Bipolar II" / In Between Spaces: An Anthology of Disabled Writers
Fiction
"Traplines" / Dunes Review
"The Mothers" / Möbius Blvd: Stories from the Byway Between Reality and Dream
Book Reviews
“A Review of Thirty Australian Poets” / Antipodes
"Review of Special Powers and Abilities by Raymond McDaniel” / Pleiades